For example, a CBC documentary is currently being edited using the production company’s in-house Avid Media Composer. PPD digitized all the HDCAM footage to Avid media and copied the files to the client’s hard drive. Once they have picture-lock they will send us the Avid sequence to conform, colour grade, close caption and create a descriptive video (DV) track. We will then process the audio tracks with our Dolby-E encoder and lay the final documentary back to HDCAM (with Dolby-E) as well as to HDCAM-SR with separate audio stems.
Another client edits a Triathlon TV series in his office which is over 85 km. from PPD. Once an episode is locked he couriers us a fully rendered QuickTime movie along with a transcript. We caption the episode, output from our Avid Media Composer with closed captioning (CC) to HDCAM and ship directly to TSN, ready for broadcast. Our editors quality control the show during output to ensure there are no technical glitches and that broadcast standards are met.
Our clients come to PPD for digital media outputs and delivery knowing that we carefully watch every show we output. It’s not just another dub. If our assistant editor notices a problem with the QuickTime movie file we will call the client to discuss the issue and their options. Our client’s love the fact that we take an interest in their shows and that they don’t get rejected by the broadcaster for something which could have easily been fixed when the show was output to tape.
If you require video capture from DVCPRO-HD, HDCAM or HDCAM-SR or output to any of those formats PPD has the experience and talent to deliver.
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